The Criterion Collection
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
The Daily
Dec 3, 2025 — The Academy Museum celebrates film presentation with a series of twenty-four new restorations.
The Daily
Apr 5, 2024 — Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.
The Daily
Jun 30, 2022 — Wim Wenders, Alice Diop, Pedro Almodóvar, and the Cinémathèque française feature in this week’s picks.
The Daily
Oct 20, 2021 — The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.
The Daily
Dec 6, 2021 — It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.
The Daily
Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...
The Daily
Jan 25, 2018 — “I don’t scare easily,” begins A. A. Dowd at the A.V. Club. “So it’s a special kind of awful, a rare treat of sorts, when something comes along that actually gets past my defenses, that does more than make me...
The Daily
Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...
The Daily
Oct 4, 2017 — Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...