The Criterion Collection
Essays
Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.
Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.
The Daily
Aug 13, 2020 — A sharp panel recommends events around the world, while New York and Venice add titles to their lineups.
Jun 16, 2008 — Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.
Short Takes
Dec 31, 2015 — Back in October, the great Liv Ullmann stopped by Criterion to film a program for the release of Jan Troell’s 1970s films The Emigrants and The New Land, which form a two-part epic in which Ullmann stars alongside Max von...
Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.
Jun 23, 2003 — Ermanno Olmi’s seldom-cited debut feature, the 1958 Time Stood Still, is a wonderful film, but it was the one-two punch of his second and third films that put him on the international movie scene map. Il Posto and I Fidanzati...
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
The Daily
Jan 28, 2021 — Locarno dedicates its retrospective to the filmmaker Andrew Sarris once called a “grossly unappreciated directorial talent.”
The Daily
Oct 19, 2020 — The irrepressible spirit of Pasolini wafts in and out of this month’s round.