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Vive la Vérité!

Sneak Peeks

Feb 28, 2013 Chronicle of a Summer, a sui generis 1961 collaboration between sociologist Edgar Morin and documentary filmmaker and anthropologist Jean Rouch, is considered a pioneering work of cinéma-vérité. That term—coined by Morin himself—gets thrown around a lot, but what does it really mean?...

The Oscar-nominated writer and director of Anatomy of a Fall praises the perfection of An Unmarried Woman, talks about the feminist qualities of La vérité, and selects Petite maman for her daughter.

Feb 12, 2019 In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...

Jan 5, 2026 One of France’s biggest stars took the world by storm before her reputation took a turn.

Dec 30, 2017 Cinema lost a few giants this year, some soldiers, some heroes, duly heralded or not, and links from a good number of the names here will take you to collections of remembrances. I’ve also added notes and a few more...

Oct 5, 2017 “The French writer and actress Anne Wiazemsky, who famously wrote a best-selling account of her short marriage to New Wave director Jean-Luc Godard, died of cancer in Paris on Thursday,” reports the AFP. Wiazemsky, who was seventy, “made her screen...

Jun 18, 2025 Throughout a small but indelible body of work that includes the 1984 neorealist masterpiece Bless Their Little Hearts, the veteran filmmaker has explored how everyday life is lived within structures of power.

Dec 28, 2022 We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.

Oct 1, 2018 A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.

Aug 16, 2018 The Oscar-winning director talks about drawing inspiration from the intimacy and naturalism of the documentary masterpiece Chronicle of a Summer.

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