Jan 22, 2018 — The twenty-fourth annual Screen Actors Guild Awards were the big televisual event of the weekend, but let’s mention first that Guillermo del Toro’s The Shape of Water “took the top prize at the Producers Guild Awards on Saturday, an honor...

Feb 12, 2020 — Wes Anderson’s The French Dispatch now has a trailer; and Pedro Almodóvar and Dee Rees are lining up new projects.

Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.

Nov 10, 2020 — Fernando Solanas On October 16, Fernando Solanas, best known for codirecting the landmark essay film The Hour of the Furnaces (1968) with Octavio Getino, announced on Twitter that he and his wife, Angela Correa, had both tested positive for COVID-19....

Dec 13, 2023 — In June 2023—six months after the release of his Oscar-winning, stop-motion, antifascist-fable version of Pinocchio—Guillermo del Toro found himself speaking to an audience at the Annecy International Animation Film Festival. Teenage Mutant Ninja Turtles: Mutant Mayhem, an underground-comix-influenced, hand-drawn-looking cartoon...

Dec 13, 2023 — Through the ages, some tales have spread their seeds like trees, creating forests of imagination. Fairy tales often have that quality. But I doubt that Carlo Collodi, the author of the 1883 novel Pinocchio, would like his story to be...

Jul 22, 2025 — New films by Olivier Assayas, Noah Baumbach, Kathryn Bigelow, Guillermo del Toro, Mona Fastvold, and Park Chan-wook will compete for the Golden Lion.

Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

Oct 4, 2013 — Did You See This?• Guillermo del Toro goes to Springfield and enters a Cabinet of Curiosities. • Call Lena Dunham—there’s a new girl in town. • The art of the vamp • A glimpse of the latest from Costa-Gavras •...

Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.