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Oct 24, 2005 Hideo Gosha’s swordplay drama captures rebellion against the Japanese feudal system, pitting its twin protagonists against each other but also, together, against the very notion of authority itself.

Dec 17, 2025 Tommy Dorfman is a writer, director, producer, and actress whose work encompasses film, television, and theater. She wrote, directed, and produced her feature debut, I Wish You All the Best—starring Corey Fogelmanis, Alexandra Daddario, Cole Sprouse, and Lena Dunham—which was...

Nov 16, 2006 At the Museum of the Moving Image tonight, Peter Cowie is presenting his new book on Louise Brooks, Lulu Forever, and they are digitally screening our new Pandora's Box restoration with the Gillian Anderson score. I don’t think I’ve ever...

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Jun 27, 2011 I’m not sure when I became a Peter Falk fan. I fondly remember watching Columbo on Sunday evenings with my parents more than forty years ago. I’m happy to say it’s a tradition that I’ve kept up with my own...

Aug 11, 2020 The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...

Oct 7, 2013 René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.

Jul 2, 2026 I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...

Jun 30, 2025 An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.

Jun 22, 2022 The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.

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