The Criterion Collection
Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.
In Theaters
May 10, 2018 — Repertory Picks On Sunday, Monday, and Tuesday, Ronald Neame’s globe-trotting 1980 film Hopscotch will pop up in Minneapolis for several screenings at the Trylon Cinema, as part of a ten-film series celebrating the careers—both joint and solo—of real-life best friends...
May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...
On the Channel
Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.
On the Channel
Dec 1, 2021 — Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.
Nov 18, 2020 — In Chris Marker’s Sans Soleil (1983), often considered the essay film, we meet the wildcat video game designer Hayao Yamaneko, who imports scenes from his life into his memory machine. The machine is shown only in parts: a slider being...
The Daily
Jun 15, 2023 — A major star in the 1970s, she retired to serve as a Labour MP, and then returned to widespread acclaim.
Essays
Oct 26, 2010 — A coming-of-age story about a clique of teenage schoolgirls who will never grow old and a demon spirit in the guise of a spinster who was never young, Nobuhiko Obayashi’s eye-poppingly demented, jaw-droppingly inventive House is 1970s Japanese pop culture...
Jan 25, 2010 — Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...