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Watch Now On The Criterion Channel

Nov 13, 2023 Channel Calendars This December, take your pick from the cinematic gifts under our tree! We’ve got a spotlight on indie queen Parker Posey, major retrospectives dedicated to the towering artists Yasujiro Ozu and Ousmane Sembène, offbeat portraits of the animal...

Feb 13, 2024 Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Dec 1, 2021 Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.

Apr 22, 2025 The majestic landscape of Provence takes center stage in Claude Berri’s two-film adaptation of an epic tale by Marcel Pagnol, a cinematic treasure that remains an abiding source of comfort for French viewers.

Nov 27, 2019 Check out what’s in store next month on our streaming service!

Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

December Books

The Daily

Dec 19, 2023 Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.

Jan 31, 2018 The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...

Oct 16, 2025 This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.

Nov 13, 2024 Spend the holiday season with the Pope of Trash, the Master of Suspense, MTV Productions’s turn-of-the-century thrills, and Columbia Pictures’s pre-Code button-pushers.

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