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Aug 4, 2010 Québécois filmmaker Xavier Dolan’s debut feature, I Killed My Mother, won three prizes in the Directors’ Fortnight section of the 2009 Cannes Film Festival, and his follow-up, Heartbeats, competed for the festival’s Un certain regard. An avowed Criterion addict, Dolan...

April Books

The Daily

Apr 21, 2026 From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.

Feb 28, 2023 In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.

May 27, 2019 The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

Sep 5, 2017 “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...

Oct 26, 2010 A coming-of-age story about a clique of teenage schoolgirls who will never grow old and a demon spirit in the guise of a spinster who was never young, Nobuhiko Obayashi’s eye-poppingly demented, jaw-droppingly inventive House is 1970s Japanese pop culture...

Odd Man Out

Essays

Dec 4, 1995 While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Nov 1, 2022 A film of rich colors, mournful silences, and haunting symmetries, Wong Kar Wai’s masterpiece is a meticulously constructed memory box that invites fetishistic dissection.

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