Mar 30, 2026 — Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.

May 19, 2021 — A confession: before I made my first trip, a few years ago, to the imagineNATIVE Film + Media Arts Festival in Toronto, I had seen precious little Indigenous cinema. The average cinephile in the West watches predominantly films made by...

Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

Jan 20, 2023 — This week: Jerzy Skolimowski, Alice Diop, Alexander Hammid, Bernardo Bertolucci, and Orson Welles.

Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.

Jul 20, 2022 — The festival will screen new restorations of films by Edward Yang, Jean Eustache, Pier Paolo Pasolini, and Yasujiro Ozu.

Jan 31, 2022 — What have the critics been saying about this year’s winners?

Mar 19, 2021 — We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.

May 1, 2020 — Everyone’s eager to make, show, and watch movies in theaters again. In the meantime, here’s plenty to see, hear, and read at home.

Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...