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Apr 9, 2009 The first time I “met” Max was in May of 1959, when Bergman’s stunning production of Urfaust came to London for just one week in the World Theatre Season. Groupie of all things Swedish that I was, I waited outside...

Sep 25, 2023 There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

Aug 26, 2022 In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.

Sep 17, 2025 One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.

Aug 7, 2025 A highlight among the many goings on in New York over the next several weeks is a tribute to Luc Moullet.

Jan 19, 2021 In the summer of 1976, my parents took me to see the tall ships in New York Harbor. I was ten, and I remember very little about it other than that I went and that the ships, tall, did not...

Jul 11, 2019 The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”

Jan 16, 2018 Today we’re opening with an item that bumps New York from its usual top spot in these “goings on” roundups, because the first four titles lined up for this year’s Berlin Critics’ Week (February 14 through 22) have been announced:...

Aug 3, 2017 Anthology Film Archives and Light Industry are teaming up on a new edition of Stan Brakhage’s Metaphors on Vision. “First published in 1963 by Jonas Mekas as a special issue of Film Culture, it stands as the major theoretical statement...

Dec 2, 2013 With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.

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