The Criterion Collection
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
On the Channel
Nov 28, 2022 — We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.
On the Channel
Oct 27, 2021 — Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...
Oct 1, 2021 — Deep Dives Because he’s Orson Welles, even during a less-bankable stretch of his career, he received top billing in Three Cases of Murder. Welles was also pictured most prominently on all the promotional materials for this little-known 1955 British anthology...
On the Channel
Feb 28, 2020 — Check out what’s in store next month on our streaming service!
Aug 3, 2020 — The first European box-office success of the movement dubbed the New German Cinema, Volker Schlöndorff and Margarethe von Trotta’s 1975 The Lost Honor of Katharina Blum took on a hot-button issue: the paranoia provoked by homegrown terrorism and the opportunity that...
The Daily
Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.