The Criterion Collection
Essays
Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.
The Daily
Jun 21, 2023 — The Method, riffs on pop culture, and a fist fight with Lawrence Tierney all figure in this month’s roundup on new and noteworthy titles.
The Daily
May 1, 2025 — The director of Sambizanga is celebrated with a full retrospective in New York and a free evening of screenings in Los Angeles.
The Daily
Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.
The Daily
Dec 2, 2025 — Even as he carries on winning awards, Jafar Panahi is sentenced to another year in prison.
The Daily
Oct 7, 2024 — The winner of the Grand Prix in Cannes is a portrait of three women in Mumbai—and at a crossroads in their lives.
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.
The Daily
Sep 27, 2022 — New restorations of work by Pedro Costa, Kira Muratova, Jean Eustache, Edward Yang, and Claire Denis are set to screen in New York.
The Daily
Mar 16, 2022 — The dark shadow of Putin’s war hangs over much of this year’s program.
The Daily
Mar 14, 2019 — As a new collection of Tarkovsky’s writing is released, the Close-Up Film Centre presents presents side-by-side series of work by the two friends.