The Criterion Collection
Features
Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...
Jul 23, 2021 — Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...
The Daily
Sep 30, 2024 — Showered with accolades, loved, admired, and feared, Smith was one of the most accomplished stars of the stage and screen.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.
Sep 1, 2017 — “A single slur becomes the lightning rod for a court case that grips but also bitterly divides a nation in The Insult, the latest feature from Lebanese director Ziad Doueiri (The Attack),” begins Boyd van Hoeij in the Hollywood Reporter....
Mar 11, 2015 — More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...
Essays
May 15, 2000 — In René Clair’s ebullient early talkie, an unsentimental love of humanity permeates every frame.