The Criterion Collection
Apr 29, 2025 — To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
Features
Aug 14, 2020 — One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...
Jun 30, 2020 — A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...
Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
Dec 1, 2009 — The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...
Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.
The Daily
Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...