Mar 13, 2023 — Born in 1983 and based in Paris and Phnom Penh, Davy Chou is a French Cambodian director and producer. He cofounded the French production company Vycky Films and the Cambodian production company Anti-Archive. His first feature, Diamond Island, was awarded...

Apr 14, 2022 — The seventy-fifth edition will present new work from Claire Denis, David Cronenberg, Kelly Reichardt, and Hirokazu Kore-eda.

Nov 28, 2022 — We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.

Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Mar 17, 2020 — Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...

Jan 16, 2020 — The Austin film festival is set to launch new work by Spike Jonze, Amy Seimetz, RZA, Frank Oz, Judd Apatow, and Julia Reichert and Steve Bognar.

Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...

Apr 4, 2018 — “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...

Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.

Jul 29, 2024 — Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.