Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.

Feb 5, 2018 — This year marks the 200th anniversary of the publication of Mary Shelley’s Frankenstein; or, The Modern Prometheus, the occasion for Jill Lepore’s outstanding piece in this week’s New Yorker: Frankenstein is four stories in one: an allegory, a fable, an...

Oct 19, 2020 — The irrepressible spirit of Pasolini wafts in and out of this month’s round.

Sep 13, 2011 — Robert Altman’s spellbinding drama about stolen identities is propelled by evanescent reveries of his own and inventive contributions from cast and crew.

Oct 19, 2021 — The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...

Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.

Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Oct 12, 2010 — Ingmar Bergman’s Ansiktet (1958)—the title literally translates as The Face, though in North America it was released as The Magician—is arguably one of his most underrated achievements. Its undeservedly lowly standing may perhaps be attributed to its chronological position in...

Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.