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May 20, 2009 Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...

May 19, 2021 For the last twenty years—until the pandemic broke my streak—I drove each fall to spend a week at the Toronto International Film Festival (TIFF). Before making the trip, I took care to avoid reading anything about the subjects, characters, or...

Sep 16, 2020 When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...

Aug 14, 2020 One Scene Over the course of an adventurous career that encompassed narrative and documentary filmmaking as well as photography, sculpture, and video installation, Agnès Varda was a shape-shifter who merged her deep engagement with social reality with a playful, endlessly...

Aug 9, 2018 An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.

A Tale of Two Hiroshimas

On the Channel

May 3, 2018 Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.

Art of a Dog

Features

Mar 11, 2016 Consider the story of Lolabelle, the rat terrier cast by Laurie Anderson—her human companion—in Anderson’s stirring, tender film Heart of a Dog.

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

IFFBoston 2026

The Daily

Apr 22, 2026 Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.

Apr 17, 2025 At eighty-two, the director has made his most deeply personal film yet.

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