The Criterion Collection
Oct 21, 2025 — Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.
Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.
The Daily
Jan 23, 2024 — Close contenders include Poor Things, Killers of the Flower Moon, Barbie, and Maestro.
Jul 11, 2023 — In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.
The Daily
Jan 3, 2023 — With lists, polls, and remembrances, we look back once again to the year that was.
The Daily
Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.
The Daily
Jul 16, 2021 — The spotlight this week is on Sara Driver, Jacques Tati, Bill Duke, Lizzie Borden, and Nobuhiko Obayashi.
Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...
Apr 13, 2021 — To fall deeply in love means to take a risk, and no romantic movie is riskier than History Is Made at Night (1937). Producer Walter Wanger came up with the very grand and suggestive title, but he had only two...
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...