Oct 19, 2017 — Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...

Jul 28, 2014 — Jacques Demy’s first full-fledged storybook fantasy challenges and subverts traditional fairy-tale norms.

Aug 5, 2013 — For those of us who rank The Earrings of Madame de . . . at the top of our list of all-time favorite films, the mystery is why our passion isn’t universally shared. Every year, thanks to committed revival houses,...

Feb 24, 2017 — Did You See This? In an excerpt from his new book This Young Monster, Charlie Fox considers the “fearsome lucidity” of Rainer Werner Fassbinder: “There were no signs of a drooling id let loose or canny subterfuge between his public...

Nov 22, 2021 — Songbook Tootsie is a film about love and desire. Audiences are prone to forgetting this amid the controversies that have arisen around its gender-crossing conceit. Back in 1982, the film emerged as one of the decade’s prestige comedies: it was...

Jun 15, 2020 — The eye contact, the exhilarating anxiety of sharing private tastes, the power of knowing what you want and summoning up the courage to ask for it: in case you can’t tell, I’m talking about the once-upon-a-time experience of renting a...

With her mix of sultry glamour and no-nonsense wit, Jeanne Moreau has been the embodiment of intelligent French moviestardom for six decades. The Paris-born daughter of a Folies Bergère dancer and a restaurateur, Moreau started out as a stage actress...

May 19, 2026 — “My history’s burning up out here,” Ned Racine (William Hurt) tells his lover in the opening minutes of Lawrence Kasdan’s directorial debut, Body Heat (1981). Ned, a small-time attorney and local roué in his South Florida beach town, recognizes the...

Apr 10, 2026 — Jia Zhang-Ke and Steven Soderbergh experiment with AI, plus: Jim Jarmusch, Tina Aumont, and Elvira Notari.

Aug 12, 2025 — This remarkably sensitive yet jarringly violent romance epitomizes director Youssef Chahine’s late-fifties hybrid style, which combined elements of Hollywood entertainment with an unmistakably Egyptian spirit.