Jun 22, 2026 — Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Oct 19, 2023 — Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...

Jun 10, 2020 — Years ago I took a seminar on movie stars led by the writer Wayne Koestenbaum, a glittering episode that closed out a rather colorless stint in graduate school. The syllabus was replete with inspired double bills⁠—Deleuze on Leibniz + Lana...

Sep 2, 2014 — The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...

Jun 1, 2026 — The world’s most desolate film festival expands to nearly a hundred theaters in seventy-three cities.

Jun 20, 2023 — Two young San Francisco residents navigate the potential for romance and their opposing views on race in Barry Jenkins’s moving debut feature.

Sep 15, 2020 — For some, this nineteenth-century love story “never catches fire,” but for others, it’s “one of the finest films of the year.”

Jul 23, 2019 — The near-future totalitarian England of Michael Radford’s 1984, a powerful adaptation of George Orwell’s classic novel, is a very dark place indeed. The film’s brilliant production design and color-drained photography emphasize the grubby squalor and soul-crushing uniformity of the surveillance...

Jun 7, 2016 — Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.

Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...