Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.

Dec 15, 2017 — The International Film Festival Rotterdam has been rolling out the lineup for its 2018 edition (January 24 through February 4) in quick spurts over the past few weeks, and it’s far from complete. But there’s already more than enough to...

Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.

Jul 21, 1998 — Despite its title, Samurai II, Duel at Ichijoji Temple, is not really an action film. It has more than its share of action and violence, to be sure—the duel between Musashi Miyamoto (Toshiro Mifune) and the chain-and-sickle master that opens...

Jan 22, 2026 — This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

Aug 4, 2021 — The Weeknd, Alice Rohrwacher, and Andrew Haigh set up new series; plus updates on series coming from Park Chan-wook and Olivier Assayas.

Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.