The Criterion Collection
Essays
Feb 22, 1999 — Flipping around the channels of late-night TV in my Tokyo apartment in 1984 I came across what seemed like a B movie from the ’60s. The studio: Nikkatsu. The star: Joe Shishido. The director: Seijun Suzuki. I was not at...
Dec 13, 2011 — Seijun Suzuki’s delirious, absurdist deconstruction of the crime genre is the strangest film the director made at Nikkatsu, Japan’s oldest film company.
The director of Cowboy Bebop shares his love for The Killing of a Chinese Bookie and how John Cassavetes blurred the line between fictional drama and realism, talks about what makes Branded to Kill a mesmerizing masterpiece, and finds inspiration...
Short Takes
Feb 24, 2017 — Cinema lost one of its most venerated maestros of excess last week with the passing of director Seijun Suzuki, whose signature films from the 1960s exploded the conventions of the Japanese studio system. While honing his craft in dozens of...
On the Channel
Apr 20, 2023 — This month’s highlights include tributes to Jennifer Jason Leigh and Seijun Suzuki and a collection of Asian American films from the 1980s.
On the Channel
Dec 29, 2020 — Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...
This Japanese visionary played chaos like jazz in his movies, which included anything-goes yakuza thrillers and daring postwar dramas of human frailty.
We have a killer selection of Japanese gangster films—or yakuza pictures—all from the genre’s heyday in the fifties and sixties.
On the Channel
Apr 4, 2017 — Through an alchemy of stylistic flair and creative restlessness, Seijun Suzuki was able to transcend the by-the-numbers material he was assigned as a director at Japan’s oldest film studio, Nikkatsu, to become one of the most electrifying genre auteurs of...
The Daily
Jan 12, 2023 — Japan Society and the Japan Foundation present six imported 35 mm prints showcasing the work of one of cinema’s most exhilarating stylists.