Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

The actor and filmmaker selects favorites like Touki Bouki, Memories of Underdevelopment, and Accattone; shouts out his recent collaborator Claire Denis; and discovers his own work on our shelves.

The acclaimed filmmaking duo reminisce about getting their cinematic education while working in a video store, share how Touki bouki has inspired every film they’ve ever made, and select life-changing favorites by Barbara Kopple, Abbas Kiarostami, and Les Blank.

Feb 26, 2020 — Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Mar 9, 2021 — “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

May 11, 2017 — Repertory PicksThis Sunday afternoon, and again on Tuesday evening, Senegalese filmmaker Djibril Diop Mambéty’s one-of-a-kind first feature, 1973’s Touki bouki, will screen at Baltimore’s long-shuttered Parkway Theatre, newly reopening for year-round programming after an $18.5 million renewal spearheaded by the...

Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.

Nov 28, 2022 — We’re closing out the year with a gift bag full of screwball comedy favorites, a wagon train of wintry westerns, and a World Cup–ready team of eclectic football movies.

Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.