Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.

Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.

Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

The actor and producer talks about memorable needle drops in Amores perros and Blow-Up, reflects on how documentaries can transport you into another world, and praises the haunting atmospheres of Birth and Eyes Wide Shut.

The actor shares her personal connection to Blow-Up, talks about being inspired at a young age by Laura Dern’s performance in Smooth Talk, and takes home favorites like Hedwig and the Angry Inch and Secrets & Lies.

The award-winning actor and producer discusses his work in such Mexican-cinema classics as Y tu mamá también and Amores perros, shares his love for the mysterious pleasures of Blow-Up and Purple Noon, and praises the brilliance of Luis Buñuel and...

Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Nov 8, 2019 — This weekend on the Criterion Channel, we’re presenting a case file on some of our favorite films about espionage, eavesdropping, and paranoia, as the eight-feature program Caught on Tape starts rolling on Sunday. From the analog surveillance of iconic seventies...

Jan 9, 2017 — Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...