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Watch Now On The Criterion Channel

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Apr 9, 2018 Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

Oct 12, 2010 Ingmar Bergman’s Ansiktet (1958)—the title literally translates as The Face, though in North America it was released as The Magician—is arguably one of his most underrated achievements. Its undeservedly lowly standing may perhaps be attributed to its chronological position in...

May 29, 2012 A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.

Jan 2, 2020 Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.

Jul 11, 2019 When we think of Ingrid Bergman, we may immediately call up images of her “you deserve this!” smile, or the indecision on her face in Casablanca (1942). There is a rare kind of suspense in watching Bergman’s face in flux...

Feb 14, 2024 Among the highlights of this month’s programming are a selection of notorious Golden Raspberry Award winners, Isabella Rossellini’s Green Porno series, and a collection of extreme and virtuosic Method performances.

August Books

The Daily

Aug 21, 2024 This month brings a new biography of Agnès Varda, collections from Phillip Lopate and Jonathan Rosenbaum, and some hefty coffee-table accessories.

Dec 12, 2017 “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Aug 20, 2018 A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.

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