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Jun 23, 2003 The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....

Apr 20, 2023 This month’s highlights include tributes to Jennifer Jason Leigh and Seijun Suzuki and a collection of Asian American films from the 1980s.

Bleak Week 2025

The Daily

Jun 2, 2025 More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.

May 20, 2025 Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.

May 24, 2024 The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

Oct 13, 2022 Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.

Apr 27, 2022 Cannes sets its juries, Directors’ Fortnight selects its shorts, Locarno honors Laurie Anderson, and Sundance lines up a big London edition.

Jan 21, 2022 This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.

Nov 11, 2020 Claire Denis When Robert Pattinson tested positive for COVID-19 in September, Warner Bros. shut down the production of Matt Reeves’s The Batman for a couple of months. Shooting has since resumed, but Claire Denis’s schedule has been thrown off. She’d...

Jun 30, 2020 Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...

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