The Criterion Collection
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.
Alejandro G. Iñárritu is an Oscar-winning director and writer. His films include Amores perros (2000), Babel (2006), Birdman (2014), The Revenant (2015), and Bardo, False Chronicle of a Handful of Truths (2022).
Mar 5, 2021 — When the photographer Mary Ellen Mark died in 2015 at age seventy-five from myelodysplastic syndrome, she left behind a vast and varied five-decade trail of portraits and documentary pictures, collected in twenty books and dozens of exhibitions, radical in their...
Features
Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...
Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.
Mar 6, 2024 — The reviews are strong, and one excerpt focuses on the influential film pages.
The Daily
Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
The Daily
Feb 7, 2019 — It’s an inauspicious beginning for festival director Dieter Kosslick’s farewell edition, but there’s much to look forward to.
The Daily
Aug 8, 2017 — In Jan Speckenbach’s “intriguing, sincere, if somewhat overreaching sophomore feature,” Freedom, “Nora (Johanna Wokalek) wanders past Breugel’s Tower of Babel painting in the Kunsthistorisches Museum in Vienna, while in Berlin, unaware of her whereabouts, her lawyer husband Philip (a sympathetic...