Oct 8, 2017 — The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...

May 20, 2017 — “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...

Apr 16, 2025 — The two Cannes sidebars select films by Christian Petzold, Robin Campillo, Eva Victor, and Sophie Letourneur.

Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.

May 12, 2018 — The nineties-era love story returns the French director to critical favor.

Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

Mar 3, 2018 — So this is the weekend that finally brings awards season to an end. The Film Independent Spirit Awards will be presented tonight (and here’s an overview of the nominations), and tomorrow’s the Big Night (again, the nominations). The one piece...

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...