The Criterion Collection
Essays
Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.
Aug 24, 2021 — Andrzej Wajda’s masterful portrait of postwar Poland pits Communist ideals against the bitter realities of a new order.
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.
Features
Sep 30, 2013 — The author describes his interactions with the great Polish filmmaker.
Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.
Feb 5, 2026 — In London, the BFI is marking the hundredth anniversary of Wajda’s birth with a series of eighteen films.
Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).
The Daily
Jul 15, 2017 — “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...
Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.
Essays
Mar 30, 2009 — Among the great Polish filmmakers—Krzysztof Kieslowski, Krzysztof Zanussi, Agnieszka Holland, Roman Polanski—Andrzej Wajda stands out as the one most concerned with national identity and memory.