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Mar 23, 2010 In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.

Oct 7, 2017 “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...

Nov 19, 2019 Contributors to RogerEbert.com and the A.V. Club as well as Time’s Stephanie Zacharek and more pick their favorite films of the decade.

May 27, 2019 The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

Jan 15, 2019 In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Jun 29, 2022 This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Dec 14, 2017 Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...

Feb 1, 2011 When Krzysztof Kieślowski’s The Double Life of Véronique was first screened at Cannes, in 1991, the critical reception was rapturous. Georgia Brown declared in the Village Voice, “Anything I say about [the film] is merely a labored minuet danced around...

Jan 16, 2024 The festival will premiere ten new restorations as well as Martin Scorsese’s journey through the work of Powell and Pressburger.

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