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Jul 17, 2024 This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

Jul 30, 2020 Channel Calendars Stuck at home this summer? Don’t let that get you down—our Bad Vacations series makes the case for staying in and watching movies, cataloguing an array of holiday horrors ranging from existential ennui to full-throttle terror. That’s just...

Dec 22, 2025 Kleber Mendonça Filho programs a series of films that have informed his slow-burning thriller.

May 17, 2019 Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.

Jan 3, 2019 We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.

Jan 23, 2018 Last week we saw the first four titles lined up for this year’s Berlin Critics’ Week, the independent program that, like its counterparts in Cannes and Venice, runs parallel to its city’s big festival, the Berlinale. Below, an overview; you...

Sep 30, 2017 “I have seen Zama, and it does indeed have a llama,” announces Cinema Scope editor Mark Peranson in the new issue. “The mysterious circumstances of the film’s long-overdue birth into this world continue with an out-of-competition slot in Venice, an...

Aug 4, 2017 New York. The Elephant in the Room: The Films of Alan Clarke, a retrospective at Anthology Film Archives, opens today and runs through August 20. “Films like Elephant, Christine, and Contact, all of which play on this series’ opening night,...

Jul 7, 2016 Half a century after Jacqueline Susann’s sensational novel Valley of the Dolls became a best seller, this cult-classic portrait of glamour and excess is enjoying a fabulous comeback.

Jan 29, 2026 A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.

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