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Watch Now On The Criterion Channel

Sep 29, 2008 After Ozu died on his sixtieth birthday, December 12, 1963, some thirty-two diaries were discovered. They were from 1933 to 1963, and though a few years were missing, they offer a commentary on the life of the director and reveal...

Feb 17, 2015 It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-­five­-year career as a writer­-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...

Sep 23, 2016 Did You See This? To celebrate the beginning of autumn this week, the BFI has published a list of ten films set during the season, including Douglas Sirk’s All That Heaven Allows, Yasujiro Ozu’s An Autumn Afternoon, Wes Anderson’s Rushmore,...

In Search of Ozu

On the Channel

Apr 16, 2018 Filmmaker Daniel Raim took a pilgrimage to Japan to get his own firsthand look at some of the most iconic objects in the world of Yasujiro Ozu.

Lions in Winter

On the Channel

Feb 15, 2017 Some of cinema’s most revered directors enjoyed extraordinary bursts of creative energy during their twilight years, delivering films that showcase a mastery of the craft they had honed over their long careers. This week on the Criterion Channel, our eight-film...

Nov 30, 2023 A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

May 13, 2024 Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

Nov 13, 2023 Channel Calendars This December, take your pick from the cinematic gifts under our tree! We’ve got a spotlight on indie queen Parker Posey, major retrospectives dedicated to the towering artists Yasujiro Ozu and Ousmane Sembène, offbeat portraits of the animal...

Aug 22, 2017 New York. The Metrograph’s series Antonioni x 6 is on from today and, in the Village Voice, Bilge Ebiri focuses on Le amiche (1955), “decidedly not what one would call ‘Antonioni-esque’”; L’avventura (1960), which “as been called alienating, but I’m...

Gertrud

Essays

Aug 20, 2001 Carl Dreyer’s modern tragedy eschews melodrama, striking a balance between suffering and triviality.

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