The Criterion Collection
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Features
Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.
The Daily
Sep 2, 2017 — Remembering Jerry Lewis in a piece for the Guardian, Martin Scorsese recalls working with him on King of Comedy: “Jerry Langford was an uncomfortable role for him to play, because he was skirting the edges of his own life in...
Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.
Essays
Aug 18, 2009 — Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.
Short Takes
Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...
The Daily
Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.
Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.