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Sep 4, 2019 The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.

Oct 29, 2025 In her intensely personal debut feature, the filmmaker and poet investigates the myths that have shaped South African history through a mix of archival footage, poetic remembrances, and conversations with friends and family.

Apr 24, 2024 In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.

Apr 5, 2017 An exhibition in New York showcases the great French filmmaker’s gallery art, ranging from photographic portraits to installations that blend still and moving images.

Jan 9, 2017 Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...

Aug 30, 2016 Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.

Dec 13, 2013 Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.

Apr 17, 2026 From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

May 4, 2020 “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...

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