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Alain Resnais 100

The Daily

Aug 11, 2022 New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.

Aug 14, 2018 Reimagining the story of a Mexican American folk hero, this revisionist western ushered in a new era in both Chicano and independent filmmaking.

Feb 20, 2017 Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.

Mar 18, 2020 People talk a lot about the way that Rita Hayworth looked. She was the Hollywood “love goddess,” with a sensational figure, a dazzling smile, and hair that fell in long, auburn waves. The pinup so iconic that her posters were...

Sep 29, 2020 Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Silent Revivals

The Daily

Jun 1, 2018 The San Francisco Silent Film Festival is on through the weekend. Plus, Louise Brooks in the UK and Anna May Wong in Berlin.

Venice 2017 Lineup

The Daily

Jul 27, 2017 Venice International Film Festival director Alberto Barbara has presented the lineup for the seventy-fourth edition (August 30 through September 9) at a press conference in Rome. I’ve gathered notes and trailers.CompetitionAi Weiwei’s Human Flow. From the Hollywood Reporter’s Tatiana Siegel:...

Loving Lola

Essays

Feb 9, 2010 You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...

Aug 13, 2007 Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Jun 18, 2007 The audacious and outrageous political comedy by Yugoslav filmmaker Dušan Makavejev jolts viewers out of complacency and encourages freedom, creativity, and bliss.

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