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May 21, 2017 — “In Sicilian Ghost Story, co-directors Fabio Grassadonia and Antonio Piazza’s superb follow-up to 2013’s Critics’ Week prizewinner Salvo, the duo evocatively interweave the richness of fairy tales with the obscenity of Mafia control,” writes Jay Weissberg for Variety. “Based on...

Jul 25, 2011 — A fearless tragicomedy about hope, dread, longing, and forgiveness, Life During Wartime (2010) is Todd Solondz’s boldest and most haunting movie to date, carrying his exploration of Middle American malaise into new territory. As before, he probes the dreams, dissatisfactions,...

Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...

Jul 11, 2023 — Screenings of work by Yasujiro Ozu, John Ford, Erich von Stroheim, and more will all feature live musical accompaniment.

Mar 26, 2009 — We have some good news: preorders are back at criterion.com! We’ve worked out some kinks in the system, and starting today you can once again order upcoming Criterion titles and your credit card won’t be charged until your order is...

July Books

The Daily

Jul 19, 2023 — This month we’re reading Pasolini, Chris Marker, Christian Petzold, Lorenza Mazzetti, Derek Jarman, and more.

Jul 26, 2017 — “The rarely screened Le gai savoir (1969), translated as ‘Joy of Knowing’ in the 2K restoration that makes its world premiere at the Quad on Friday, exemplifies a typical Godardian paradox,” writes Melissa Anderson in the Village Voice. “Profuse and...

Aug 31, 2012 — He was a doctor, explorer, and anthropologist in addition to being a director. Learn more about the fascinating man who made Lonesome.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Nov 19, 2007 — Akira Kurosawa explores criminal machismo in his seventh film, which he felt was his official breakthrough in Japanese cinema.

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