The Criterion Collection
Essays
May 10, 2011 — Something Wild asks the eternal question “What makes us happy?” But the answer it proposes is far from easily arrived at. It’s a boy meets girl story, certainly, but one that goes much deeper with that narrative than most films...
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
The Daily
Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.
The Daily
May 20, 2018 — New restorations of rarely seen gems from the 1920s and ’30s are screening in New York.
The Daily
Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.
Jan 20, 2014 — Aki Kaurismäki pays wry tribute to the starving artist in his sad and funny update of Henri Murger’s classic book.
The Daily
Nov 27, 2017 — On May 1, 2001, Dieter Kosslick took over as director of the Berlin International Film Festival, following Moritz de Hadeln, who’d held the job for twenty years. On May 31, 2019, the day after his seventy-first birthday, Kosslick’s current contract...
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
The Daily
Dec 15, 2017 — The International Film Festival Rotterdam has been rolling out the lineup for its 2018 edition (January 24 through February 4) in quick spurts over the past few weeks, and it’s far from complete. But there’s already more than enough to...
Essays
Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.