The Criterion Collection
The Daily
Jul 23, 2021 — This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
On the Channel
Jul 27, 2018 — “We make each other alive; it doesn’t make a difference if it hurts,” Bergman once wrote to Ullmann—and that emotional intensity gave fuel to their extraordinary forty-year collaboration.
May 25, 2018 — Sloane Crosley is the author of the New York Times best-selling essay collections I Was Told There’d Be Cake, a finalist for the Thurber Prize for American Humor; How Did You Get This Number; and the novel The Clasp. A...
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.
Dec 1, 2006 — We left St-Michel feeling uplifted and took a nice stroll south, past the Closerie des Lilas, the restaurant made famous by Hemingway, and through the Luxembourg gardens, where a film crew was laying dolly tracks and fitting counterweights on a...
Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...
Jul 18, 2018 — Alan Rudolph is a pioneer in the American independent film movement. He has directed nineteen narrative features and one feature-length documentary. His films have been presented in major international festivals for forty years and are noted for their fluid style,...
Sloane Crosley is the author of the essay collections I Was Told There’d Be Cake, How Did You Get This Number, and Look Alive Out There and the novel The Clasp.
The Daily
Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.