The Criterion Collection
Jun 16, 2008 — Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.
Sep 3, 2007 — Very few movies count as truly significant milestones in the development of American “indie” cinema during the last quarter of the twentieth century. They include Eraserhead (1977) and Return of the Secaucus Seven (1979), as early trailblazers; She’s Gotta Have...
Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.
Aug 14, 2006 — It’s both hard and not so hard to believe that Eric Rohmer’s Six Moral Tales were conceived—indeed, written initially—as a novel. On the one hand, he’s the grand master of dialogue as an instrument of narrative. His characters muse, reflect, analyze,...
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...
Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.