The Post

May 10, 2019 — The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.

Mar 29, 2019 — Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.

Jan 25, 2019 — This week features major new resource on The Magnificent Ambersons, Godard’s allusions, and Ilya Khrzhanovsky’s multimedia extravaganza.

Jan 23, 2019 — Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...

Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.

Aug 31, 2018 — There’s a wistful sense of what might have been running through this week’s round of five.

May 12, 2018 — The nineties-era love story returns the French director to critical favor.

Aug 7, 2017 — On the anniversary of his birth, we’re celebrating Hollywood renegade Nicholas Ray with complete editions of three of his masterpieces on the Criterion Channel.

Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.

May 8, 2017 — With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgent social issues...