The Criterion Collection
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
Oct 4, 2018 — A “skeleton key” to an epic audiovisual essay by Godard and interviews with Anna Biller and Richard Linklater are among this week’s highlights.
Oct 1, 2018 — The Oscar-winning director got his start with the beautifully atmospheric 2003 short film My Josephine, now streaming on the Criterion Channel on FilmStruck.
The Daily
Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.
Sep 27, 2018 — A look inside the process of collaborating with Terrence Malick on the new cut of his 2011 masterpiece.
The Daily
Sep 21, 2018 — This week’s round of five highlights begins with a new column and a new issue of Film Quarterly.