The Criterion Collection
Feb 9, 2009 — Luis Buñuel’s ferociously brilliant The Exterminating Angel (1962) is one of his most provocative and unforgettable works. In it, we watch a trivial breach of etiquette transform into the destruction of civilization. Not only does this story undermine our confidence...
Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.
Essays
Jan 19, 2009 — In 1929, a fifty-one-year-old Congregationalist pastor named Lloyd C. Douglas published his first novel. It was a ramshackle sort of book, at its core an undiluted Christian sermon on the life-transforming power of charitable works. But it was a sermon...
Essays
Jan 14, 2009 — Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Essays
Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.
Oct 20, 2008 — Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.
Oct 20, 2008 — Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.
Essays
Oct 6, 2008 — It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...