The Criterion Collection
Sep 30, 2014 — Singer-songwriter and occasional film actor Will Oldham has released eighteen albums, appeared in such films as Matewan (1987), Junebug (2005), Old Joy (2006), and Wendy and Lucy (2008), and teamed with David Byrne to compose the score for This Must...
Nov 17, 2011 — We met award-winning actor Alec Baldwin on Twitter (@AlecBaldwin) and asked him to contribute a Criterion Top 10. His response was immediate and enthusiastic. Baldwin’s film credits include Beetlejuice, Miami Blues, Glengarry Glen Ross, The Royal Tenenbaums, The Cooler (for...
Jun 3, 2002 — In addition to being his funniest film, The Horse’s Mouth is the most personal, and touching, of all Alec Guinness’ movies. Apart from starring as the brilliant but bedraggled artist Gulley Jimson, Guinness also adapted the Oscar-nominated screenplay from Joyce...
Essays
Dec 31, 2000 — Those who felt that Scandinavian cinema had passed into retirement along with Ingmar Bergman should be startled by Insomnia. This immaculately constructed psychological thriller sets a benchmark for other Scandinavian directors to match, and is one of the most unusual...
The actor, writer, and producer talks about being blown away by Sandra Hüller’s performance in Anatomy of a Fall, shares her attraction to the romance in Love & Basketball, and praises Mississippi Masala as being ahead of its time.
The actor and musician shares his love for Tom Waits in Down by Law, reminisces about watching The Brood in the cinema as a child, and champions the rebellious spirit of The Great Escape.
The actor selects an American indie classic by Greg Mottola, talks about rediscovering Videodrome on the Criterion Channel, and selects favorites like How to Get Ahead in Advertising, My Life as a Dog, and Tootsie.
The actor selects films that speak to the connection between society and the individual, focusing on works of resistance by such directors as Béla Tarr, Yasujiro Ozu, and Ingmar Bergman.
The actor fondly recalls working with David Lynch on Inland Empire, praises the comedic brilliance of Albert Brooks, and mentions Robert Altman and Spike Lee as directors whose films capture “the essence of culture, community, and truth.