The Criterion Collection
Essays
Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
Essays
Mar 4, 1989 — Alec Guinness used his new-found prominence and clout to initiate a long-cherished ambition, to bring Joyce Cary’s most famous novel to the screen.
Essays
Apr 11, 1988 — Over the years countless films have been made about war, its horrors and its devastations—few, however, have been as moving and heartfelt as René Clément’s.
Feb 29, 1988 — Marx Brothers aficionados have argued for years over the relative merits of A Night at the Opera and the “purer” Marx movies such as Duck Soup. Certainly there’s no comparison on a point-by-point basis: Duck Soup is a classic of...
Essays
Feb 8, 1988 — Sidney Lumet’s courtroom drama explores the process of law in human hands, where prejudice, fear, weakness, and even weather can divert the carriage of justice.
Essays
Feb 1, 1988 — Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...
Essays
Dec 3, 1984 — Since the dawn of the sound era, an estimated 25,000 feature-length films have been produced—and that’s in the English language alone. When, in the early 1960s, an international group of film critics were polled as to their “number-one film of...