Why

Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...

Oct 1, 2017 — “Since I saw Faces Places at its premiere at Cannes in May, [Agnès] Varda’s latest documentary has cemented itself on my running list of the year’s best titles,” writes Manohla Dargis in the New York Times. “Made with the French...

Oct 1, 2017 — “Having placed second in Toronto’s People’s Choice Awards, James Franco scored his first big outright win as a director, his The Disaster Artist scooping Saturday night the 65th San Sebastián Festival’s Golden Shell, the top plaudit at the highest-profile film...

Sep 30, 2017 — Serge Bozon’s Mrs. Hyde premiered in Locarno in August, when we gathered a first round of reviews. It screens once more tomorrow (October 1) as part of the New York Film Festival’s Main Slate, and Bozon and his star, Isabelle...

Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...

Sep 29, 2017 — “A ravishing visual colossus, Blade Runner 2049 more than lives up to its predecessor’s legacy as a groundbreaking mixture of sound, images and mood,” begins Screen’s Tim Grierson. “This long-anticipated sequel’s screenplay sometimes struggles to keep pace, but director Denis...

Sep 28, 2017 — Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...

Sep 27, 2017 — Filmmaker Allison Anders recalls a story about her time working with the late Harry Dean Stanton on the set of Paris, Texas.

Sep 26, 2017 — The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Sep 25, 2017 — New York. From October 12 through 26, the Metrograph will present Philippe Garrel: Part 1, the first half of the most complete retrospective ever to be staged in the U.S. I’m flagging this event early not only because the New...