The Criterion Collection
Criterion Designs
Oct 30, 2015 — Creating the design that graces our cover of Masaki Kobayashi’s haunting set of ghost stories involved inks, a tank of water, and a fair bit of ingenuity.
Essays
Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.
Oct 20, 2015 — Taiwanese filmmaker Hou Hsiao-hsien is back with an awe-inspiring martial-arts epic.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.
Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.
Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.
Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...