The Criterion Collection
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Mar 24, 2003 — Straw Dogs turns on a woman’s rape, and one can’t blame pictures for depicting. But the film shows the woman, after some tart resistance, seeming to enjoy it, and this approaches the apex of what a delicate soul might call...
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Essays
Sep 9, 2002 — With her debut feature, Lynne Ramsay confirmed herself as one of the most distinct and important voices to emerge from the United Kingdom in recent years.
Essays
Jul 8, 1992 — Since its first screening in 1960, Jean-Luc Godard’s astonishing debut has lost none of its power to thrill an audience or change the way we see the world.
Sep 24, 1990 — Imagine Hitchcock’s Psycho told from the point of view of its title character, and you have a rough idea of Taxi Driver. This riveting 1976 film is at once a thriller, a psychological case study, an exploration of the eroticism...
Sep 17, 2018 — Once called “the great directorial genius of Hollywood” by Carole Lombard, Gregory La Cava struck comedy gold with this mix of madcap high jinks, irresistible romance, and social commentary.
Sep 26, 2023 — In this vibrant, music-filled portrait of an artist and his community, director Luis Valdez gathers what little is known about rock-and-roll idol Ritchie Valens and fuses it with a lived-in understanding of what it is to be Chicano.
Features
Jun 5, 2013 — Remembering special effects legend Ray Harryhausen, who is being celebrated at the Aero Theatre in L.A. this month.