The Criterion Collection
The Daily
Feb 18, 2018 — Christian Petzold seems to realize that viewers are going to feel as if they’ll need a few moments to get their bearings in the world of Transit. In one swift and brilliant stroke, he denies us the luxury. Georg (Franz...
Feb 2, 2018 — Tell Me: Women Filmmakers, Women’s Stories opens today at the Metrograph and runs through February 15. “Programmer Nellie Killian’s selections, which span more than three decades and a wide range of documentary styles, include fascinating titles by directors with a...
May 24, 2017 — “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...
The Daily
May 19, 2017 — We’ll get to the film at hand in a moment, but first—and just briefly—there’s no getting around the controversy that’s all but dominated the first couple of days at this year’s Cannes Film Festival. It began, really, when the festival...
Apr 5, 2017 — An exhibition in New York showcases the great French filmmaker’s gallery art, ranging from photographic portraits to installations that blend still and moving images.
In Theaters
Mar 10, 2016 — Repertory PicksThis weekend, the Gold Town Nickelodeon in Juneau, Alaska, will be showing one of Ingmar Bergman’s most fascinating films, The Magic Flute. In the film, which is an exquisite reimagining of Mozart’s 1791 opera of the same title, Bergman...
Essays
Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.
Interviews
Jun 7, 2012 — In this classic self-interview, published to coincide with the release of Summer with Monika, the director reveals key elements of his filmmaking process.
Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...