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Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.

Apr 22, 2024 — In her new book on the Warhol superstar, “Carr not only meets Darling on her own terms but insists that we do, too.”

Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

Apr 19, 2024 — Revivals of work by Frank Borzage, Ken Loach, and David Fincher are among this week’s highlights.

Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.

Apr 17, 2024 — Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.

Apr 16, 2024 — Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.

Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Mar 29, 2024 — Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.

Mar 27, 2024 — The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.