The Criterion Collection
Aug 14, 2018 — Reimagining the story of a Mexican American folk hero, this revisionist western ushered in a new era in both Chicano and independent filmmaking.
The Daily
Dec 6, 2024 — Richard Linklater and James Benning revisit Godard’s Breathless and Wim Wenders looks back on Paris, Texas.
Oct 1, 2021 — Deep Dives Because he’s Orson Welles, even during a less-bankable stretch of his career, he received top billing in Three Cases of Murder. Welles was also pictured most prominently on all the promotional materials for this little-known 1955 British anthology...
The Daily
Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...
The Daily
Jun 14, 2023 — At least one adaptation was met with unqualified critical and financial success—and then there’s the one McCarthy wrote from scratch.
The Daily
Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.
Production Notes
Aug 25, 2022 — While working on our edition of Martin Scorsese’s 1980 masterpiece, producer Abbey Lustgarten found out how the director achieved some of the movie’s most evocative visual and sonic effects.
Jun 23, 2020 — Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....
The Daily
Mar 29, 2018 — New York. “Billed as a ‘meta-soap opera,’ Personal Problems is nothing less than an explosion of the television form,” begins Chuck Bowen at Slant. “Directed by Bill Gunn, the two-part, nearly three-hour miniseries was shot on video for a low...
Essays
Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.